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Surprisingly, it wasn’t until 1987 that this fairly faithful stage version of the classic movie was adapted by John Kane for the Royal Shakespeare Company. Kane’s script hews closely to the screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf and others, but expanded with a bit more explanation (sometimes to a fault) and a whole lot more corny puns. Berkeley Playhouse is known for professional productions of family-friendly musicals that appeal to children and adults alike. Despite the considerable nostalgic appeal of all those beloved songs by composer Harold Arlen and lyricist E.Y. Harburg — such as “Somewhere Over the Rainbow” and “Ding-Dong! The Witch Is Dead” — this one may have a little more to offer young’uns than grownups. The pacing of director Lexie Lazear’s staging is a bit slow, Kirsten Royston’s simple sets are a little rough.

Still, there’s plenty that’s entertaining in this cheerful fantasy romp, The forbidding puppet head of the Great and Powerful Oz is a lot of fun, for starters, The songs are as sprightly and delightful as ever as delivered by the capable cast and the small orchestra under the direction of Cary Litchford, There’s even an extra ditty that was cut from the original film, the lively and perhaps self-explanatory dance number “Jitterbug,” with swinging choreography by Megan McGrath, The cast is upbeat and numerous, bolstered by two rotating youth casts that really get a chance orange embellished ballet flat shoes orange jutis orange mojari orange khussa to shine in the Munchkin scene, with colorful costumes by Angela F, Lazear and Helen Frances, Shayla Lawler is a blithely naïve and cheerful Dorothy, alternating in the role with Tanaka Dunbar Ngwara, Briel Pomerantz portrays sourly huffy Almira Gulch and the Wicked Witch of the West with cackling villainous relish, and Aubri No’Eau Kahalekulu is impishly charismatic as traveling huckster Professor Marvel and the wily Wizard..

Brianna Rodriguez is an amusingly expressive puppeteer as Toto, manipulating a moplike little dog puppet. Scott Taylor-Cole plays the Cowardly Lion with comic gusto. Matt Ono and Nic Sommerfeld are an amiable pair of stalwart companions as the Scarecrow and the Tin Man, though they could do a bit more with the characters’ distinctive body language. Megan McGrath is a stern Auntie Em and radiantly cheery Glinda the Good Witch, while Billy Raphael is an animated Uncle Henry and a jovial Scotsman Emerald City Guard.

If the production lacks a certain magical luster, it’s a generally charming and orange embellished ballet flat shoes orange jutis orange mojari orange khussa kid-friendly version of the classic yarn that should prove comfortably familiar to parents (and grandparents) that grew up on the movie, It may not quite be a whiz of a Wiz, but it’s certainly no humbug, Contact Sam Hurwitt at shurwitt@gmail.com, and follow him at Twitter.com/shurwitt, By John Kane, Harold Arlen and E.Y, Harburg, based on the novel by L, Frank Baum and the MGM motion picture, presented by Berkeley Playhouse..

If Smuin Contemporary Ballet can’t put you in the holiday spirit, perhaps no one can. But give the company a chance, we bet you’ll be glad you did. Smuin’s annual touring “Christmas Ballet” production opens this weekend in Walnut Creek, featuring an evocative two-act program balancing holiday chestnuts with some sassy contemporary works. There will be revivals of several seasonal favorites by Michael Smuin, the company’s late founder, including his Hanukkah-themed “Licht Bensh’n,” the tropical-flavored number “Christmas Island,” and the Latin-fueled “La Calandria,” among others.

Also on the program are two world premieres — a new work from company member Rex Wheeler and a pas de deux by company dancer Erica Felsch set to “Have Yourself a Merry Little Christmas.”, And, yes — of course! — the sassy Yuletide favorite “Santa Baby,” featuring the famed 42-foot long feather boa, is in the mix, Details: Nov, 16-17 at Lesher Center for the Arts, Walnut Creek; Nov, 30-Dec, 1 at the Sunset Center, Carmel; Dec, 5-9 at Mountain View Center for the Performing Arts, Dec, 13-24 at Yerba Buena Center for the orange embellished ballet flat shoes orange jutis orange mojari orange khussa Arts, San Francisco; $25-$91; www.smuinballet.org..

What a night, from one bad surprise to another! First, there was no dancing for 20 minutes as the football game ran overtime and the New York Giants used the last minutes of Monday Night Football to beat the 49ers. And there were surprises throughout “Dancing With the Stars” once it began. This was the semifinal round, with each couple performing two dances, one a dedication dance and one a Judge’s Choice of a previously done dance. Unlike prior seasons, however, there will not be a two-night finale, but everything will be packed into one two-hour show next Monday.

The worst surprises had to do with the double elimination at the end of the show and which dancers were “In Jeopardy.” Of the six competing couples, three were in danger — Joe Amabile and Jenna Johnson, Alexis Ren and Alan Bersten, and Juan Pablo Di Pace and Cheryl Burke (what!), Joe and Jenna were easy to understand as they have gotten some of the orange embellished ballet flat shoes orange jutis orange mojari orange khussa lowest scores on the dance floor for weeks, But Juan Pablo and Cheryl received a perfect 30 score for their jive two weeks ago, a perfect 30 for last week’s Charleston, and perfect 30s for each of tonight’s dances (an Argentine tango and a salsa)! Believe it or not, Juan Pablo and Cheryl, plus Joe and Jenna, were sent home and Alexis and Alan were safe to dance in the final..

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