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But women composers and conductors? Not so much. As in past years, there’s a shocking lack of numbers in those categories. Even in the age of #MeToo, women are still woefully underrepresented on the podiums and programs of the classical music world. Why this is still the case is anybody’s guess. It’s not that there aren’t capable women working as composers and conductors. Last month’s Cabrillo Festival in Santa Cruz was instructive. The annual contemporary music event (led for many years by the great American conductor Marin Alsop), has always featured women composers, and this year’s installment, conducted by current music director Cristian Măcelaru, included works by Anna Clyne, Zosha Di Castri, Missy Mazzoli and Vivian Fung.

This season, music lovers might have to search for comparable programs, Women, it seems, still face an uphill battle when it comes to equal time on classical music stages, Works by female composers are often relegated to the first 10 minutes of a concert, It’s just as difficult for female conductors, who can spend years vying for guest slots red womens flat shoes, kent flat shoes, ballet flats shoes, red bridal flat shoes, ankara pumps, red ballerina shoes (uk size 6) – unless, like Opera Parallèle’s Nicole Paiement, they launch their own companies, So, as the 2018-19 season gets underway, we combed through the calendar and found some promising events that will feature women – both on the program and on the podium.  Here’s a partial list..

Sept. 23: The California Symphony opens its season with “Three Latin-American Dances” for Orchestra by the Bay Area’s own Gabriela Lena Frank. Conducted by Donato Cabrera, the program also includes works by Beethoven and Bernstein. Stay tuned: later in the season, the organization’s composer-in-residence, Katherine Balch, will unveil her second of three CSO commissions. www.californiasymphony.org. Sept. 29-30: The Gold Coast Chamber Players, led by violist and artistic director Pamela Freund-Striplen, launches its season with two performances of “Allegre y Divertida” for string trio by American composer Mary Bianco. Works by Turina, Chausson, and Vaughan-Williams complete the program. www.gcplayers.org.

Oct, 4: The Berkeley Symphony’s season-opening concert features Jennifer Higdon’s Violin Concerto and Anna Clyne’s “Night Ferry,” along with works by Barber and Ravel, Ming Luke conducts, www.berkeleysymphony.org, Oct, 5-7: Nicole Paiement, Opera Parallèle’s artistic director and chief conductor, leads performances of the Philip Glass opera, “In red womens flat shoes, kent flat shoes, ballet flats shoes, red bridal flat shoes, ankara pumps, red ballerina shoes (uk size 6) the Penal Colony.” www.daysandnightsfestival.com, Oct, 6-7: JoAnn Falletta, music director of the Bay Area’s own Women’s Philharmonic from 1986-97 and currently music director of the Buffalo Philharmonic and Virginia Symphony Orchestra, returns to the Bay Area as guest conductor for Symphony Silicon Valley’s season-opening program featuring Prokofiev and Sibelius, www.symphonysiliconvalley.org..

Oct. 25-27: Măcelaru, appearing as guest conductor with the San Francisco Symphony, conducts Anna Clyne’s “Masquerade” in Davies Symphony Hall. www.sfsymphony.org. Dec. 14-15: Conductor and early music specialist Jane Glover returns to Davies Hall to conduct two San Francisco Symphony performances of Handel’s “Messiah.”www.sfsymphony.org. Jan. 18-20, 2019: Acclaimed Lithuanian conductor Mirga Gražinylė-Tyla leads the San Francisco Symphony in a program featuring Sibelius and Tchaikovsky.www.sfsymphony.org.

Jan, 25: The Oakland Symphony presents the Third Symphony of Florence Price, considered the first African-American woman composer, www.oaklandsymphony.org, April 4 and 6: Meredith Monk, the incomparable composer, singer,and director, brings her Vocal Ensemble to Stanford’s Bing Hall for two can’t-miss programs, http://live.stanford.edu, red womens flat shoes, kent flat shoes, ballet flats shoes, red bridal flat shoes, ankara pumps, red ballerina shoes (uk size 6) May 23-25: The San Francisco Symphony gives its first performances of “Overture” by the late Polish composer Grazyna Bacewicz.www.sfsymphony.org, Contact Georgia Rowe at growe@pacbell.net..

Ubisoft is betting that there’s still life in the toy genre. Although games such as “Skylanders” have faded, the publisher better known for “Assassin’s Creed” and “Just Dance” believes that the generation of kids who were fans of Spyro and his friends still want projects, in which toys interact with games. The big difference is that they want a gameplay experience that’s slightly more mature and challenging. That’s where “Starlink: Battle for Atlas.” Ubisoft’s toys-to-life game made waves at E3 with its “Starfox” integration, but even without Nintendo’s iconic hero, this sci-fi adventure can stand on its own.

I played it at a recent preview event and red womens flat shoes, kent flat shoes, ballet flats shoes, red bridal flat shoes, ankara pumps, red ballerina shoes (uk size 6) I was impressed with open-world nature of the game, It takes place in a system called Atlas, which is home to a dynamic resource called electrum, In this space opera, players take on the role of a pilot for Captain St, Grand, While exploring the system, the crew is attacked and the captain is kidnapped, After crash landing, players have to learn how to get their spacecraft off the ground and fix Equinox, the crew’s mothership, so that it can head to space, I played mostly as Fox McCloud in Act I, Unsurprisingly, “Starlink” is an open-world game — it’s made by Ubisoft after all — that spans seven planets around an enormous system..

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