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Visitors to “Guns: Loaded Conversations,” the current, thought-provoking show at the San Jose Museum of Quilts and Textiles, have been quietly giving their opinions on gun control — with spent bullet casings. They do this by dropping a shell, which can be picked up at the front desk, into one of several clear cylinders placed near the entrance labeled with various positions in the debate. It’s not surprising in the liberal South Bay that “Civilians should only own firearms for hunting and shooting sports” leads the pack, with “Only the military and law enforcement” in second place. But when I last checked, “Civilians should be free to own and operate any firearm” was third, showing there’s still some diversity of opinion coming through the doors.
On Saturday, the museum will encourage visitors to take a more active stance at a free community day from 11 a.m, to 3 p.m, You could create a protest button or gold bridal wedding shoes/festival indian women leaf gold jutti shoes/black flats/ballet flats/queen shoes/khussa shoes/punjabi poster, send a postcard to elected officials or even register to vote. Visitors can also sew with visiting textile artist Jen Graham, who is working on a 2018 version of her piece, “Trajectory Patterns,” which documents the addresses where gun fatalities occurred, The original 2016 piece was 137 feet long, There also will be a community panel on firearms and safety at 1 p.m., followed by a roundtable discussion, You can register to take part at www.sjquiltmuseum.org/events, And for those who want to have a bigger impact than just talking, Museum Executive Director Nancy Bavor points to the “Cash and Quilts for Guns” buyback that’s planned for later this year, The museum is raising $25,000 toward the San Jose Police Foundation and San Jose Police Department’s biennial buyback event and is also accepting donations of handmade quilts that may be exchanged for weapons..
“We have about 25 quilts so far,” Bavor said. “We think it’s kind of an interesting thing to exchange something hard like a gun for something soft like a quilt.”. Both “Guns: Loaded Conversations” and “Generation of Change: A Movement Not a Moment,” are being presented with the East Bay-based Social Justice Sewing Academy through July 15 at the gallery at 520 S. First St. CULTURAL CONNECTION: The 40th annual Dia de San Juan Festival on Saturday will fill San Jose’s History Park with the sounds and flavors of Puerto Rico, while also helping out residents of the island territory that were affected by last year’s devastating hurricanes.
The salsa dance party and fundraiser, sponsored by the Western Region Puerto Rican Council, will include Puerto Rican musicians Tony Vega and Charlie Aponte, as well as Bay Area performers including Orquesta Taino, DJ Helio and Pedro Pastrana and his Jibaro Mani, Related ArticlesSan Jose dive bar with a bad reputation reinventing itselfNew role for former Santa Clara County Supervisor Ken YeagerCity Lights’ gold bridal wedding shoes/festival indian women leaf gold jutti shoes/black flats/ballet flats/queen shoes/khussa shoes/punjabi ‘Eurydice’: A bilingual production with a twistReaders’ ideas for changing Burnett Middle School nameEggs-citing news for San Jose City Hall’s resident falconsEvent chairwoman Irma Dominicci says in addition to being an opportunity to celebrate Puerto Rican heritage, the festival “reminds us of how charity and community can make a difference in the lives of others.” Gates open at 11 a.m., and tickets are available for $15-$25 online at www.wrprc.org or $30 at the door..
RECORD NIGHT AT MONTALVO: The allure of Paris — even if it was just re-imagined in the hills above Saratoga — created a generous atmosphere at the Montalvo Arts Center‘s biennial fundraiser June 16. “Moulin Montalvo: A Gala Night in Montmartre” — with strolling musicians, acrobats and can-can dancers entertaining the black-tie crowd — raised $600,000 for Montalvo’s artistic and educational programs. Gala co-chairs Marcia Hansen, Deborah Stolle and Sydene Kober — along with committee members Gretchen DiNapoli, Sue Mueller, Debbie Gong-Guy and Gayla Wood — put together quite an evening that included dinner by Le Papillon, French wines and Tattinger Champagne and an entertaining live auction led by “auctiontainer” Letitia Frye.
“Cooking requires confident guesswork and improvisation — experimentation and substitution, dealing with failure and uncertainty in a creative way.” ― Paul Theroux, Choreographers are like chefs in more ways than you might imagine, gold bridal wedding shoes/festival indian women leaf gold jutti shoes/black flats/ballet flats/queen shoes/khussa shoes/punjabi Their ingredients aren’t fruits, vegetables, meat, herbs and spices, but bodies, movement, music, fabric and light. Balance and proportion are the keys to success for both, While it might take all day to put together a delectable repast, it can take several weeks to create a half-hour moving feast of dance..
To see the results from a local “choreographic kitchen,” check out the Sketch 8 dance festival presented by Amy Seiwert’s Imagery company, June 28-30 at ODC Theater in San Francisco’s Mission District. This year’s theme is “Origin Stories.”. The idea behind the Sketch series is to provide a laboratory for choreographers to experiment beyond their usual approach to their artistic process, to break out of their old habits. Through the immense popularity of television cooking shows, there’s an awareness that it takes all kinds — from icon Julia Child to rebel Gordon Ramsay. You’ll find an equally diverse line-up of dance makers, even without a network choreography series.
For this year’s program Seiwert invited New York-based choreographers Jennifer Archibald and Gabrielle Lamb to gold bridal wedding shoes/festival indian women leaf gold jutti shoes/black flats/ballet flats/queen shoes/khussa shoes/punjabi join her in creating new work for Imagery’s eight dancers, Archibald’s choreography is fusion cuisine, She hails from Toronto, where she says “being classically trained was really important to my parents, When I was in college I was doing a lot of hip-hop in the club scene and belonged to a crew before I moved to New York, That urban aesthetic has always been a really strong voice within my classical technique training.”..
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